Between Global Market of Contemporary Art and Death: the Work of Teresa Margolles
Guardado en:
| Údar: | |
|---|---|
| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2021 |
| Cur Síos: | This paper analyzed the work of the Mexican artist Teresa Margolles. It exposes the thesis that her work has been positioned in the global art market, promoted by the “permissive paradox” of the institutionality of contemporary art. Through this mechanism, Margolles has exported, from the periphery to the center, an art that emphasizes images of violence and death, transforming violence and death into exotic objects of exhibition in European and American museums. In the paper are analyzed ¿De qué otra cosa podríamos hablar? (2009), La Promesa (2012) and El Testigo (2014). |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/45333 |
| Rochtain Ar Líne: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/45333 |
| Palabra clave: | contemporary art global art market death Teresa Margolles arte contemporáneo mercado global del arte muerte |