La representación del cuerpo post-orgánico en la cinematografía: Magnetic Rose de Koji Morimoto
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2013 |
| その他の書誌記述: | This article offers an approach to the representation of the post-organic body in the cinematographic narrative, featuring an analysis of the film Magnetic Rose (1995) by Koji Morimoto. Moreover, it tries to present a theoretical reflection about an issue that is inherent to the construction of subjectivity: the inescapable relation human being-machines, established from the industrial era and the big leap forward it has taken in the information era. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/12672 |
| オンライン･アクセス: | https://archivo.revistas.ucr.ac.cr/index.php/rlm/article/view/12672 |
| キーワード: | body post-humanism narrative film studies Magnetic Rose Koji Morimoto cuerpo post-humanismo narrativa cinematografía |