Parody and carnivalization in the Luis Buñuel`s play Hamlet
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| 作者: | |
|---|---|
| 格式: | artículo original |
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2021 |
| 實物特徵: | This article proposes an analysis of Luis Buñuel’s play Hamlet. The analysis is done from Mijaíl Bajtín’s main concepts of the Carnival Theory: popular culture, carnivalization, grotesque and laughter. It represents a contribution to the lacking knowledge around a marginal text in the scope of literary criticism as well as drama criticism. It states that Buñuel’s play is an ambivalent, open, intertextual, irreverent and parodic text. |
| País: | Portal de Revistas UCR |
| 機構: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 語言: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/45994 |
| 在線閱讀: | https://archivo.revistas.ucr.ac.cr/index.php/estudios/article/view/45994 |
| Palabra clave: | Literary analysis; drama; Luis Buñuel; Hamlet; carnivalization; grotesque; parody; Mijail Bajtin. Análisis literario; drama; Luis Buñuel; Hamlet; carnavalización; grotesco; parodia; Mijaíl Bajtín |