The place of art: between the uninhabited sky and the Cross. (An interpretation based on the Phenomenology of Spirit)
সংরক্ষণ করুন:
| লেখক: | |
|---|---|
| বিন্যাস: | artículo original |
| বর্তমান অবস্থা: | Versión publicada |
| প্রকাশনার তারিখ: | 2024 |
| বিবরন: | This article deals simultaneously with a historical and a textual gap. The first corresponds to the moment between the dissolution of the Greek world and the establishment of the Christian world. The second corresponds to the moment between «art-religion» and the «manifested religion» in Hegel's Phenomenology of Spirit (1807). Both gaps are thought of in close connection with the problem of the autonomy of art; which, in order to exist, prefigures a place. Following Jean-Luc Nancy, it is concluded that this place corresponds to the periods of immanence, of which there are above all two: Late Antiquity and Modernity. |
| দেশ: | Portal de Revistas UCR |
| প্রতিষ্ঠান: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| ভাষা: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/58192 |
| অনলাইন ব্যবহার করুন: | https://archivo.revistas.ucr.ac.cr/index.php/filosofia/article/view/58192 |
| মুখ্য শব্দ: | Hegel estética autonomía del arte inmanencia Jean-Luc Nancy aesthetics art autonomy inmanence |