Concepts and symbolism in the work of Karen Kunc.
Guardado en:
| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2015 |
| Cur Síos: | Karen Kunc’s color woodcuts, or chromoxylographs, feature a special quality that spurs the viewer, upon their mere contemplation, to lose any notion of time, immersing him in the creator’s inner universe and metaphorical thought. Upon admiring her creations one feels the vibrations of her soul, her spirit, her being; she transmits to us the feelings that were laid down, layer by layer, cut by cut, as she generated symbols in different shapes and colors. Revealing the sense and meaning of each one of them, as well as their significance, is the aim of this article. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/21164 |
| Rochtain Ar Líne: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/21164 |
| Palabra clave: | cromoxilografía Karen Kunc espacio concepto simbolismo chromoxylographs space concept symbolism. |