Art, Feminism, and Power: Lxs cuerpxs con vulva by Anna Matteucci
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| Автор: | |
|---|---|
| Формат: | artículo original |
| Статус: | Versión publicada |
| Дата публикации: | 2022 |
| Описание: | The article studies the link between art, feminism and power, expressed in the works of the Costa Rican artist Anna Matteucci. It analyzes pieces and creative spaces that address issues of sexuality, gender, family, and religion. Theoretical references on power, art and discourse are used, which are based on Foucault (1988), Castells (2009), Foster (2017), Giunta (2014), Badiou (2013), Bourriaud (2008), Antivilo (2013) and Escobar (2021). Everything related to gender, sexuality and the family is framed in Butler’s (2007) approaches to feminism and so-called nomadic identities. It is concluded that Matteucci’s work evidences certain ways of thinking of women in the context of a violent society that censors and invisibilizes the body and its diversity, thus expressing a counter-hegemonic discourse that, as such, is essentially political and unauthorized, given its subversive content. |
| Страна: | Portal de Revistas UCR |
| Институт: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Язык: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/51999 |
| Online-ссылка: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/51999 |
| Ключевое слово: | contemporary art women religion sexuality gender arte contemporáneo mujer religión sexualidad género |