Mística y eros: las imágenes poético-simbólicas del mito de Narciso en sor Juana Inés de la Cruz y José Lezama Lima desde la poética de lo imaginario
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| Autor: | |
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| Formato: | tesis de maestría |
| Fecha de Publicación: | 2023 |
| Descripción: | The present work aims to point out the existing relationships between myth, the poetics of reverie and the imaginary, and literature from the analysis of the relationships between the symbolism of the myth of Narcissus and its projection in texts of Latin American literature. The poetics of the Imaginary is presented as a theoretical framework for analysis to «decipher» the complex poetic-symbolic configuration of the texts: El divino Narciso by Sor Juana and "Muerte de Narciso" by José Lezama Lima. The first chapter establishes the theoretical and methodological aspects, as well as the State of the Art regarding the corpus. The second chapter addresses the development of this myth in Antiquity based on the possible origins it may have, as well as the written texts of Konon, Pausanias, Ovid and other authors who mention references to Narcissus that are relevant to this work for establishing the fundamental poetic-symbolic imaginary of the myth and the main intertexts in the Western Tradition regarding the treatment of Narcissus as a mythical character. In the third chapter, the analysis of this myth is developed in the context of the Hispanic Golden Age, specifically in Calderonian texts such as Eco y Narciso (1672/1674), as well as El divino Orfeo (1663), as remarkable intertexts of the auto sacramental El divino Narciso (1689/1692), in this section we seek to establish the main poetic and symbolic images, the re-elaborations and re-readings associated with Sor Juana's play. In the fourth chapter, intertextual elements of the imaginary proposed by Paul Valéry in the poems "Narcisse parle" (1890, 1920) and "Fragments de Narcisse" (1922) are pointed out as substantial references to achieve an understanding of the Lezamian poem "Muerte de Narciso" (1937) as the point of arrival of the imaginary of the Narcissus’ myth in the context of the Neo-Baroque in the Latin American literature. Finally, the section of the general conclusions of the work is presented. Different texts from Antiquity referring Narcissus’ myth, Sor Juana's play and the Lezama’s poem are put into dialogue as pieces that construe the imaginary around Narcissus in accordance with the poetics of the imagination, as well as its hermeneutic-symbolic evolution in the Western Tradition and Latin American context. |
| País: | Kérwá |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Kérwá |
| Lenguaje: | Español |
| OAI Identifier: | oai:kerwa.ucr.ac.cr:10669/89517 |
| Acceso en línea: | https://hdl.handle.net/10669/89517 |
| Palabra clave: | hermenéutica simbolismo Narciso mito Sor Juana Inés de la Cruz José Lezama Lima LITERATURA |