Transmedia dystopias and fantasies: exploring totalitarianism across media

 

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Opis bibliograficzny
Autor: Gómez, Eva
Format: artículo original
Status:Versión publicada
Data wydania:2026
Opis:This article examines how contemporary transmedia narratives represent and critically interrogate totalitarianism, drawing on the intellectual lineage of twentieth-century dystopian literature by Aldous Huxley, George Orwell, and Ray Bradbury. By analyzing six case studies across television, film, video games, and musical, including Snowpiercer, The Handmaid’s Tale, BioShock Infinite, Papers, Please, Wish, and Wicked. The study identifies four distinct forms of authoritarian governance: technocratic, theocratic, bureaucratic, and personalist. A qualitative, interpretive methodology grounded in Cultural Studies and transmedia narratology allows for a comparative analysis of mechanisms such as scarcity, surveillance, propaganda, and charismatic leadership. The findings highlight how these narratives translate classical dystopian critiques into contemporary media ecologies, fostering critical reflection on authority, social control, and resistance. By linking theory and empirical cases, the article demonstrates the pedagogical and analytical potential of transmedia storytelling for understanding the persistence and mutation of totalitarian logics in digital modernity.
Kraj:Portal de Revistas TEC
Instytucja:Instituto Tecnológico de Costa Rica
Repositorio:Portal de Revistas TEC
Język:Español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/8724
Dostęp online:https://revistas.tec.ac.cr/index.php/comunicacion/article/view/8724
Słowo kluczowe:Totalitarianism
Dystopia
Fantasy
Transmedia storytelling
Snowpiercer
Papers please
Bioshock infinite
Wish
Wicked
The Handmaid’s Tale
literature
Totalitarismo
Distopía
Fantasía
Narrativas transmedia
Bioschock infinite
El cuento de la criada
literatura