Dynamics of Scenic Creation in Migrantes: tocando timbres, by Grupo de Teatro Girasol
Wedi'i Gadw mewn:
| Awdur: | |
|---|---|
| Fformat: | artículo original |
| Statws: | Versión publicada |
| Dyddiad Cyhoeddi: | 2026 |
| Disgrifiad: | Introduction: This paper examines the processes used in the staging of Migrantes: tocando timbres by Grupo de Teatro Girasol (2015) of the University of Costa Rica, highlighting its relevance within the context of Costa Rican social theater. Objective: It aims to analyze the dynamics of stage creation implemented during the staging, with an emphasis on the specific contributions of the direction and the cast. Methods: A qualitative approach was adopted, based on semi-structured interviews with cast members and a review of the group’s reports, with the purpose of identifying the phases of creation and the methodology applied by the direction. Results: The findings reveal collaborative and investigative creative dynamics that consolidate a coherent and meaningful theatrical narrative influenced by the theme of migration. Conclusions: The directing methodologies and collective dynamics had a significant impact on the group’s artistic practice, positioning the play as a benchmark in contemporary Costa Rican social theater. |
| Gwlad: | Portal de Revistas UCR |
| Sefydliad: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Iaith: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/6053 |
| Mynediad Ar-lein: | https://revistas.ucr.ac.cr/index.php/rescena/article/view/6053 |
| Allweddair: | stage direction creative process social theater collective creation migration dirección escénica proceso creativo teatro social creación colectiva migración |