El baile de la loquera: the Carnival Aspect of Danceable Music Practice of Mosh and Slam for the Urban Youth in Costa Rica during the Decade of 1990, the Case of Ska Music
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| Autor: | |
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| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2022 |
| Descripción: | This article discusses the danceable music practice of “mosh” and “slam” as a form of subversive attitude for the urban youth, based on the carnival theory of Mijail Bajtin. In particular, proposes a transdisciplinary methodology based in the analysis of social discourse, discographic production and ethnographic data. All this allows to achieve the following objective: analyze the carnivalesque form in the danceable practice of “ska” music for Costa Rican urban youth during the decade of 1990. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/50498 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/intercambio/article/view/50498 |
| Palabra clave: | Bajtín musical discourse youth festivity carnival discurso musical jóvenes festividad carnaval juventude festividade |