The feeling of incompleteness: a psychoanalytic reading of Los Disparates by Goya
Guardado en:
| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2026 |
| Cur Síos: | This article examines Los Disparates by Francisco de Goya from a historical, aesthetic, and psychoanalytic perspective, focusing on incompleteness as a formal strategy. Through Disparate desordenado, it argues that compositional instability and lack of closure are deliberate gestures against the ideal of totality. In dialogue with Jean Allouch’s notion of sublevación, the series is read as an act of freedom embedded in its structure. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/7097 |
| Rochtain Ar Líne: | https://revistas.ucr.ac.cr/index.php/rwimblu/article/view/7097 |
| Palabra clave: | Francisco de Goya Los Disparates Incompleteness Uprising Engraving Incompletud Sublevación Grabado |