The notion of "port" in the pictorial work of Max Jiménez Huete
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| Auteur: | |
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| Format: | artículo original |
| Statut: | Versión publicada |
| Date de publication: | 2021 |
| Description: | The present article aims to analyze the notion of "port" in the pictorial work of the Costa Rican artist Max Jimenez Huete (1900-1947) from a semiotic and cultural perspective. It is fundamental to point out that the visual proposal of the architect is characterized by retaking the figure of the Afro-descendant and by promoting a discourse of rupture with the Costa Rican hegemonic art. This disruption fosters the representation of other voices and other landscapes, as well as symbolizing the port as a space for cultural exchange and Carnival festivity. |
| Pays: | Portal de Revistas UCR |
| Institution: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Langue: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/49326 |
| Accès en ligne: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/49326 |
| Mots-clés: | art; culture; afrodescendant; work; carnaval. Arte; cultura; afrodescendiente; trabajo; carnaval. |