Meyerhold: A pioneer in Reception Aesthetics
Guardado en:
| Autor: | |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2020 |
| Descripción: | In the first quarter of the 20th century, two antithetical artistic trends gain importance, both confronting the dominant tendencies of the bourgeois theatre and both pursuing antagonisticnobjectives. One trend defends a necessary re-theatricalization, while the other bets for a radicalnde-theatricalization. Meyerhold positions himself in the first trend, for all his theatrical creationsnand theoretical writings, he formulates a set of fundamental principles and in the understanding ofntheatrical communication for the consideration of the functions of the stage director, and in doing so, he becomes a pioneer in the field of reception aesthetics. We intend to demonstrate such a claim with this paper, written after a review of scientific literature, which also includes his personalcontributions. As a conclusion, we highlight the transcendence of Meyerhold’s proposals to promote a theatre that, based on critical theory, could help to encourage a reception equally critical. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/42475 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/escena/article/view/42475 |