Music and psychoanalysis, sounds and silence of the body
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| Nhiều tác giả: | , , , , |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2018 |
| Miêu tả: | In the present article, a bibliographical research will be developed, whose purpose is to show the art of music beyond this as an artistic expression, but as this becomes the voice of what needs to be said in the body, and by the body. Likewise it will be investigated in aspects related to music and its history, music as a primitive act, the components that build it and the affections that arise from it, in addition to being studied from a psychoanalytic approach, music is presented from the three records presented by Lacan.Key Words: Music; psychoanalysis; language; body. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/34836 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/wimblu/article/view/34836 |