Mask, Nationalism and Parody in “Las doce figuras del mundo” by Honorio Bustos Domecq
Guardado en:
| 作者: | |
|---|---|
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2025 |
| 實物特徵: | This article explores how, from a merely police structure of "Las doce figuras del mundo", through a mask (Honorio Bustos Domecq), Jorge Luis Borges and Adolfo Bioy Casares insert a rereading of the right-wing nationalism of the Argentine Infamous Decade. With this purpose, the authors used two parodies; first, the classical police canon (narrative structure), and then, the right-wing nationalism. Thus, it has been found that it is a narrative with the intention of social criticism. |
| País: | Portal de Revistas UCR |
| 機構: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 語言: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/13312 |
| 在線閱讀: | https://revistas.ucr.ac.cr/index.php/rfilyling/article/view/13312 |
| Palabra clave: | Latin American literature modern literature collaboration literary studies heteronomy literatura latinoamericana literatura moderna colaboración estudios literarios heteronimia |