Mask, Nationalism and Parody in “Las doce figuras del mundo” by Honorio Bustos Domecq
保存先:
| 著者: | |
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| 状態: | Versión publicada |
| 出版日付: | 2025 |
| その他の書誌記述: | This article explores how, from a merely police structure of "Las doce figuras del mundo", through a mask (Honorio Bustos Domecq), Jorge Luis Borges and Adolfo Bioy Casares insert a rereading of the right-wing nationalism of the Argentine Infamous Decade. With this purpose, the authors used two parodies; first, the classical police canon (narrative structure), and then, the right-wing nationalism. Thus, it has been found that it is a narrative with the intention of social criticism. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/13312 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/rfilyling/article/view/13312 |
| キーワード: | Latin American literature modern literature collaboration literary studies heteronomy literatura latinoamericana literatura moderna colaboración estudios literarios heteronimia |