The work of theatre artists in San Miguel of Tucumán during the decades of 1960 and 1970: independent circuit, official theatre and radio drama
Guardado en:
| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2022 |
| Cur Síos: | This article analyzes the work of performing artists in San Miguel de Tucumán in a modernization period during the 60’s and 70’s. This study examines the new status that artistic work achieves due to two important events: the creation of the Teatro Estable de la Provincia and the presence of specialized theatre criticisms in the most popular local journal. Then, the article explores the radio drama’s circuit, a specific field separated from independent and official theatre, characterized for productions held by an entrepreneur, the circulation of companies in the interior of the province and a large number of spectators. The article makes contributions in the understanding, from a historical perspective, of the problems and challenges faced by theatre workers in a non-metropolitan city, where the frontier between radio drama and independent and official circuits is of great relevance. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/53485 |
| Rochtain Ar Líne: | https://revistas.ucr.ac.cr/index.php/escena/article/view/53485 |
| Palabra clave: | performing arts theatre labour art criticism Argentina dossier artes escénicas teatro trabajo crítica de arte |