Eduardo Schiaffino: a painter in the configuration of art history and museum management in Argentina
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| Author: | |
|---|---|
| Format: | artículo original |
| Status: | Versión publicada |
| Publication Date: | 2022 |
| Description: | Eduardo Schiaffino, a painter with studio training in Buenos Aires and Paris, not only shaped new labor insertions in the local artistic environment, but had to legitimize his actions and personal perspectives. As weighted as he was questioned in life, his figure was recovered in historiography since the 1990s, when his role was highlighted in the process of development of the artistic field in Argentina, between the last decades of the 19th century and the first of the 20th. We propose in this article to investigate the ways in which he used his strengths as a painter and as a self-taught theoretician to inaugurate spaces, such as art history or museum management, in an artistic field in formation and, at the same time, legitimize his action. |
| Country: | Portal de Revistas UCR |
| Institution: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Language: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/53434 |
| Online Access: | https://revistas.ucr.ac.cr/index.php/escena/article/view/53434 |
| Keyword: | art art history museum administration cultural agents training paintwork dossier arte historia del arte administración de museos formación de agentes culturales pintura |