La representación del cuerpo post-orgánico en la cinematografía: Magnetic Rose de Koji Morimoto
সংরক্ষণ করুন:
| লেখক: | |
|---|---|
| বিন্যাস: | artículo original |
| বর্তমান অবস্থা: | Versión publicada |
| প্রকাশনার তারিখ: | 2013 |
| বিবরন: | This article offers an approach to the representation of the post-organic body in the cinematographic narrative, featuring an analysis of the film Magnetic Rose (1995) by Koji Morimoto. Moreover, it tries to present a theoretical reflection about an issue that is inherent to the construction of subjectivity: the inescapable relation human being-machines, established from the industrial era and the big leap forward it has taken in the information era. |
| দেশ: | Portal de Revistas UCR |
| প্রতিষ্ঠান: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| ভাষা: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/12672 |
| অনলাইন ব্যবহার করুন: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/12672 |
| মুখ্য শব্দ: | body post-humanism narrative film studies Magnetic Rose Koji Morimoto cuerpo post-humanismo narrativa cinematografía |