La representación del cuerpo post-orgánico en la cinematografía: Magnetic Rose de Koji Morimoto
Guardado en:
| Autor: | |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2013 |
| Descripción: | This article offers an approach to the representation of the post-organic body in the cinematographic narrative, featuring an analysis of the film Magnetic Rose (1995) by Koji Morimoto. Moreover, it tries to present a theoretical reflection about an issue that is inherent to the construction of subjectivity: the inescapable relation human being-machines, established from the industrial era and the big leap forward it has taken in the information era. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/12672 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/12672 |
| Palabra clave: | body post-humanism narrative film studies Magnetic Rose Koji Morimoto cuerpo post-humanismo narrativa cinematografía |