“A Three that Stands and Dances”: Community Meanings of Sandinista Experience in the Writing of Julio Cortázar
محفوظ في:
| المؤلف: | |
|---|---|
| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2022 |
| الوصف: | This article reflects on the singular ways in which Julio Cortázar writes and inscribes his experience of the Sandinista revolutionary project in the Latin American context. Contrary to a specialized reading that places him as a clearly optimistic observer of said process, the textual itinerary that we propose to go through starts from a rereading of his short story "Apocalypse of Solentiname" to think about the political and community implications of the apocalyptic dimension in Cortázar Nicaraguan texts. The hypothesis that we offer is that his writing recovers the critical potentiality of idiocy, in its particular philosophical sense, to open a thirdness that suspends the dominant bipolar thinking in the Latin American intellectual field of the late 1970s and early 1980s and allows us to conceive other ways of making community. |
| البلد: | Portal de Revistas UCR |
| المؤسسة: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| اللغة: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/51986 |
| الوصول للمادة أونلاين: | https://revistas.ucr.ac.cr/index.php/intercambio/article/view/51986 |
| كلمة مفتاحية: | Cortázar thirdness apocalypse community writing terceridad apocalipsis comunidad escritura terceiridade apocalipse comunidade escrita |