Cine chino: nacionalismos, cuasinacionalismos y (trans)nacionalismos/ localismos en el cine de la República Popular China, Taiwán y Hong Kong
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| Autor: | |
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| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2015 |
| Descripción: | In non cinephile circles the separation among Taiwanese, Hongkongese and Chinese (from the People’s Republic of China) cinemas might not be clear-cut. Thus, a chronological account of their film industries will also reveal the convoluted historical movements that gave rise to three distinctive geographical areas that share a common ethnographical identity and origin, but divergent processes of economic and political development that in the end endowed each national cinema with distinctive traits. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/22368 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/22368 |
| Palabra clave: | cines nacionales industrias fílmicas nacionalismos historia China Taiwán Hong Kong crecimiento económico sistemas políticos national cinemas film industries nationalisms history Taiwan economic growth political systems |