The place of art: between the uninhabited sky and the Cross. (An interpretation based on the Phenomenology of Spirit)
保存先:
| 著者: | |
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| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2024 |
| その他の書誌記述: | This article deals simultaneously with a historical and a textual gap. The first corresponds to the moment between the dissolution of the Greek world and the establishment of the Christian world. The second corresponds to the moment between «art-religion» and the «manifested religion» in Hegel's Phenomenology of Spirit (1807). Both gaps are thought of in close connection with the problem of the autonomy of art; which, in order to exist, prefigures a place. Following Jean-Luc Nancy, it is concluded that this place corresponds to the periods of immanence, of which there are above all two: Late Antiquity and Modernity. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/58192 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/filosofia/article/view/58192 |
| キーワード: | Hegel estética autonomía del arte inmanencia Jean-Luc Nancy aesthetics art autonomy inmanence |