Music, Architecture and Soundscapes in Search of the Composition of New Intercultural Identities
Gorde:
| Egilea: | |
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| Formatua: | artículo original |
| Egoera: | Versión publicada |
| Argitaratze data: | 2022 |
| Deskribapena: | In America, an Eurocentric discourse has developed in the practice of music and spatial conformation. This work analyzes the impact that music and architecture have had on the construction of our identity. The methodology included case studies that involve soundscapes to understand the social phenomena that enhance relations of domination. Hegemonic dynamics of “classical” music were analyzed in the National Theater of Costa Rica, as well as Latin American examples and proposals related to the rupture of eurocentric artistic compositions that promote transculturation. The article explores the music of nature, the soundscape, and memory, considering different biophilic patterns as alternatives towards decolonization that, through local knowledge, promote interculturality. To re-configure new discourses, it is not necessary nor right to demonize European cultural contributions, but rather to understand how many of these habitus have led to devaluation attitudes against the autochthonous. |
| Herria: | Portal de Revistas UCR |
| Erakundea: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Hizkuntza: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/51996 |
| Sarrera elektronikoa: | https://revistas.ucr.ac.cr/index.php/escena/article/view/51996 |
| Gako-hitza: | culture decolonization design habitus landscape cultura descolonización diseño paisaje |