Cuadro Campestre: Problems in the Identity Attributions of the First Ballet With “Argument of the Argentine Ruralia”
Guardado en:
| Autor: | |
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| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2024 |
| Descripción: | This work is part of a broader research project on the problems of the construction of an Argentine national identity in/from ballet during the decades of 1910, 1920, and 1930. On this occasion, we intend to focus on the case of Cuadro Campestre, choreographed by Bronislava Nijinska and premiered at the Teatro Colón in Buenos Aires in 1926. The article will focus on replacing both the allusions to this work in the immediate journalistic reception as well as in the main narratives of dance history in Argentina. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/62479 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/62479 |
| Palabra clave: | Cuadro campestre Nijinska modernism national identity modernismo identidad nacional modernisme identité nationale |