The theory of the total work of art as a formal category in early German Romanticism
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2018 |
| その他の書誌記述: | We try to demonstrate how early German Romanticism develops an embryonic theory of the total work of art as a formal category, namely, as the intention to create one single work where a synthesis of all the arts is produced. The latter would be the culmination of a way towards artistic totality that begins with the belief in the unity of the arts, goes through the fusion of genres within each art form, continues with the desire to merge thearts and ends with the will to join all of them together in one single work. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/31464 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/humanidades/article/view/31464 |
| キーワード: | work of art unity of the arts separation of the arts Romanticism genre theory obra de arte total unidad de las artes separación de las artes Romanticismo teoría de los géneros |