Peter Handke: Some Fundamental Concepts Related to Plastic Arts
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| Tác giả: | |
|---|---|
| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2022 |
| Miêu tả: | This paper is an approach to some key concepts in Peter Handke’s literary production. Throughout his work, Handke refers to and is supported by pictorial images and painting procedures in order to achieve a literary gaze. This article about the writer and his relation to plastic arts revolves around motifs such as landscape, time, transformation, things, the gaze and knowledge as well as some other concepts that provide information about his idea of art, namely topographic relations, absence, “dis-empowerment”, the creator’s ethical stance and others. Also, all of these topics are studied as a model to understand the development of plastic arts. As a methodology, this article is based on the readings of several of Handke’s texts in parallel to the creation of some of our own plastic artwork. |
| Quốc gia: | Portal de Revistas UCR |
| Tổ chức giáo dục: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/53579 |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/53579 |
| Từ khóa: | Peter Handke gaze transformation through art knowledge landscape plastic arts mirada transformación a través del arte conocimiento paisaje artes plásticas |