Workshop of dance folclórica Nahualt: cultural identity across the traditional dance of guanacaste like structural process
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| Autor: | |
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| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2017 |
| Descripción: | This investigation is about the cultural identity in the Guanacastecan traditional dance as structural process performed by children and youngsters who are part of the Taller de Danza Folclórica Nahualt. This study is done taken into account the structural features proposed by John B. Thompson in his theory about the symbolic forms and the historical and contextual structured processes these symbols belong to. The symbolic forms are identified in two different shows and the pertinent analysis is done. This study shows that the theory is applicable to the dance itself and it is proved that, through the symbolic and contextual analysis, the fusion of symbols with the historical and anthropological contexts is appropriate, but it is not a source of meaningful cultural identity. With this research, the Essencialism in the Guanacastecan traditional dance is deprived from its main arguments, because the analysis of this cultural practice disputes about the true essence of the Guanacastecan traditional dance, which makes it an interesting object of study. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/29571 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/estudios/article/view/29571 |
| Palabra clave: | Cultural identity Guanacastecan traditional dance symbolic forms historical contexts Essencialism identidad cultural baile tradicional guanacasteco formas simbólicas contextos históricos Esencialismo |