Museum of Dignity: between Controversy and Memory. A look at the Artistic-Political Actions in the Chilean October of 2019
Αποθηκεύτηκε σε:
| Συγγραφείς: | , |
|---|---|
| Μορφή: | artículo original |
| Κατάσταση: | Versión publicada |
| Ημερομηνία έκδοσης: | 2021 |
| Περιγραφή: | The social revolt of October 18, in Chile, became a process that shook the country from its deepest foundations. This moment of social explosion was accompanied by an equal explosion of the production of images, performances and artistic actions throughout the country, highlighting the deep symbolic dimension of the protests. In this context, the “Museum of Dignity” action, created by a group of the same name, calls attention. It intervenes in the images produced by the protests, arranged on the walls of the city of Santiago. The interventions produced by the Museum of Dignity group, which insert street actions into golden frames, raise a series of important questions about art, institutions of culture, heritage and preservation. This article tries to analyze the different effects of the Museum of Dignity action in the public sphere, based on the method of Critical Analysis of the Discourse (Fairclough, 2001). The emphasis will be placed on the aspect of critical discursive practice that interferes in the public sphere (both artistically and socially) producing dissent (Mouffe, 2014; Rancière, 2009) and shuffling the regimes of art (Rancière, 2005) in their presence. |
| Χώρα: | Portal de Revistas UCR |
| Ίδρυμα: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Γλώσσα: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/45332 |
| Διαθέσιμο Online: | https://revistas.ucr.ac.cr/index.php/escena/article/view/45332 |
| Λέξη-Κλειδί : | grafic arts art and politics contemporary art cultural institutions social revolt artes gráficas arte y política arte contemporáneo instituciones culturales revuelta social |