Between Global Market of Contemporary Art and Death: the Work of Teresa Margolles

 

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Detalles Bibliográficos
Autor: Mora Solano, Sindy
Formato: artículo original
Estado:Versión publicada
Fecha de Publicación:2021
Descripción:This paper analyzed the work of the Mexican artist Teresa Margolles. It exposes the thesis that her work has been positioned in the global art market, promoted by the “permissive paradox” of the institutionality of contemporary art. Through this mechanism, Margolles has exported, from the periphery to the center, an art that emphasizes images of violence and death, transforming violence and death into exotic objects of exhibition in European and American museums. In the paper are analyzed ¿De qué otra cosa podríamos hablar? (2009), La Promesa (2012) and El Testigo (2014).
País:Portal de Revistas UCR
Institución:Universidad de Costa Rica
Repositorio:Portal de Revistas UCR
Lenguaje:Español
OAI Identifier:oai:portal.ucr.ac.cr:article/45333
Acceso en línea:https://revistas.ucr.ac.cr/index.php/escena/article/view/45333
Palabra clave:contemporary art
global art market
death
Teresa Margolles
arte contemporáneo
mercado global del arte
muerte