Una Interpretación del Estudio Nº 1 para guitarra de Heitor Villa-Lobos Felipe Solís Arias
Guardado en:
| 作者: | |
|---|---|
| 格式: | artículo original |
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2020 |
| 實物特徵: | This article exposes a possible dialectic interpretation for the Study Nº 1 from the brazilian composer Heitor Villa-Lobos (Brazil, 1887-1959). It’s placed in the sonorous, cultural and artistic contexts that were contemporary to the author. In this article is possible to find a reference to the esthetic and artistic tendency from the popular music that surrounded the author and, subsequently, through the notions of Cultural Anthropophagy, Postcolonial Listening and Ethnographic Ear, relocate the rhythmic sense of the aforementioned Study. |
| País: | Portal de Revistas UCR |
| 機構: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 語言: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/44242 |
| 在線閱讀: | https://revistas.ucr.ac.cr/index.php/pensamiento-actual/article/view/44242 |
| Palabra clave: | interpretation technic study popular music cultural anthropophagy postcolonial listening ethnographic Heitor Villa-lobos guitar Interpretación estudio música popular antropofagia cultural escucha poscolonial oído etnográfico guitarra |