Intratextualidad en el poema "Los heraldos negros" de César Vallejo, versión primera-versión oficial, e intertextualidad con El grito de Edvard Munch
Gorde:
| Egilea: | |
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| Formatua: | artículo original |
| Egoera: | Versión publicada |
| Argitaratze data: | 2012 |
| Deskribapena: | The aim is to analyze intratextual relations between the first version and the official version of the poem “The Black Heralds” by Cesar Vallejo, based on the phonetic, semic and syntagmatic graphics of the Baroque text according to Severo Sarduy; in addition, the intertextual relations of both texts are compared to “The Scream” by Edvard Munch, as reminiscent of a textuality of existential perspective. |
| Herria: | Portal de Revistas UCR |
| Erakundea: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Hizkuntza: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/2348 |
| Sarrera elektronikoa: | https://revistas.ucr.ac.cr/index.php/filyling/article/view/2348 |
| Gako-hitza: | intratextualidad intertextualidad vallejo-césar munch-edvard sarduy-severo intratextual intertextuality |