Animalistics and Scopic Regime. Cultural Contents from Ecological-Themed Ceramics of Guaitil and San Vicente, Costa Rica
保存先:
| 著者: | |
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| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2026 |
| その他の書誌記述: | Introduction: This paper proposes an interdisciplinary understanding of the ceramic practice in Guaitil and San Vicente as a folk art that adapts a traditional production to meanings associated with contemporary contexts. Objective: The study analyzes the animalistic representations in contemporary ceramics from Guaitil and San Vicente as meta-images, in order to infer the influence of a scopic regime in their visual production. Methods: The research is based on visual characterization of a sample of ceramic vessels, the ethnographic technique of open conversations, and a bibliographic review. Results: It is suggested that one contemporary myth motivates and defines the animal representations introduced by tourist markets and institutional agents to adapt traditional production to external expectations. Conclusions: The images present in these ceramics are expressions of the world that produces them and reiterate the mythical narratives perceived as representations of reality. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/5619 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/rescena/article/view/5619 |
| キーワード: | pottery visual materials cultural studies cultural identity mythology alfarería material visual estudios culturales identidad cultural mitología |