Yoruba dance: a space for education and acting training (approach to a methodology)
Guardado en:
| Autor: | |
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| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2022 |
| Descripción: | Yoruba dance is the result of a syncretic and intercultural process that emulates the contemporary scene. In this article, we propose an acting training that locates the needs identified by exponents of the gestual and psychophysical/intercultural formative slopes and channels them through yoruba dance as a structure and context, integrating the magical religious universe and the history of transculturation of an important part of artistic Latin American manifestations. In this way, our methodological proposal involves postulates of acting training in the Western tradition with the expressive ways in which African cultures persist in the Latin American tradition. This would generate a space of respect for our Latin American past and its syncretism. In short, the acting training proposed from the yoruba dance aims to provide the necessary interpretive tools to assume the stylistic and poetic diversity of the scene of our time from an ethical and holistic position. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/53036 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/escena/article/view/53036 |
| Palabra clave: | performing arts training theater dance decolonial approach article artes escénicas formación teatro danza enfoque decolonial artículo |