El telar de cintura, inmanencia itinerante de la memoria
Guardado en:
| Údar: | |
|---|---|
| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2018 |
| Cur Síos: | The historical testimony that emerges from the colonial texts, written by the men of the conquest, did not register the foundational role of women in society, but enunciated, tacitly and reciprocally linked, the concepts of nation and masculinity. The institutionalization of male supremacy is one of the reasons why women figure as the most deprived and violent sector of the current Central American society. As we will see in the following analysis, Mayan textile art represents a place of collective memory that resists male domination systems. |
| País: | Portal de Revistas UNA |
| Institiúid: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Teanga: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/11028 |
| Rochtain Ar Líne: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/11028 |
| Palabra clave: | women, Central America, Mayan textile art, collective memory mujeres, Centroamérica, arte textil maya, memoria colectiva. |