The representations of the Caribbean in The great zoo of Nicolás Guillén

 

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Autor: Vidal Ortega, Carlos Federico
Médium: artículo original
Stav:Versión publicada
Datum vydání:2020
Popis:El gran zoo (1984), by the Cuban poet Nicolás Guillén, offers various representations of the Caribbean. The article argues that this poetry book falls within the tradition of the Post Avant-garde literary movement in Spanish America. Additionally, various formal characteristics of the text are examined, as exemplified in the poems “The Dream” and “Guitar”. Another poem that receives close attention is “The Tenor”, which parodies the division between high culture and popular culture. Lastly, several allusions of the poetry book to the historical context of the Cold War and the Space Race are analyzed.
Země:Portal de Revistas UNA
Instituce:Universidad Nacional de Costa Rica
Repositorio:Portal de Revistas UNA
Jazyk:Español
OAI Identifier:oai:ojs.www.una.ac.cr:article/13471
On-line přístup:https://www.revistas.una.ac.cr/index.php/istmica/article/view/13471
Klíčové slovo:Zoo, Post Avant-garde, Bestiary, Popular Culture, Space Race
Zoológico, neovanguardia, bestiario, Cultura Popular, Carrera Espacial