The representations of the Caribbean in The great zoo of Nicolás Guillén
Guardado en:
| Údar: | |
|---|---|
| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2020 |
| Cur Síos: | El gran zoo (1984), by the Cuban poet Nicolás Guillén, offers various representations of the Caribbean. The article argues that this poetry book falls within the tradition of the Post Avant-garde literary movement in Spanish America. Additionally, various formal characteristics of the text are examined, as exemplified in the poems “The Dream” and “Guitar”. Another poem that receives close attention is “The Tenor”, which parodies the division between high culture and popular culture. Lastly, several allusions of the poetry book to the historical context of the Cold War and the Space Race are analyzed. |
| País: | Portal de Revistas UNA |
| Institiúid: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Teanga: | Español |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/13471 |
| Rochtain Ar Líne: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/13471 |
| Palabra clave: | Zoo, Post Avant-garde, Bestiary, Popular Culture, Space Race Zoológico, neovanguardia, bestiario, Cultura Popular, Carrera Espacial |