The Religious in Dispute: Iconographic Transgression in Yolanda López
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| Autor: | |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2026 |
| Descripción: | It is assumed that Yolanda López’s piece Triptych (1978) belongs to the genre that can be classified as contemporary art. For this purpose, a theoretical review is established drawing from history and theology, in relation to contemporary art. It is argued that López’s artistic proposal is defamatory not only to the religious institution of modern-Western Christianity but also to contemporary art itself. Within the arguments of this presupposition lies the critical potential toward the institution called “art” that is present throughout this work. |
| País: | Portal de Revistas UNA |
| Institución: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Lenguaje: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/22873 |
| Acceso en línea: | https://www.revistas.una.ac.cr/index.php/siwo/article/view/22873 |
| Palabra clave: | colonization contemporary art spiritual conquest Virgin of Guadalupe Yolanda López arte contemporáneo colonización conquista espiritual Virgen de Guadalupe arte contemporâneo colonização Virgem de Guadalupe |