Charly García and The Wall Syndrome: Rock, Politics and Parody in the 90’s Argentine
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| Автор: | |
|---|---|
| Формат: | artículo original |
| Статус: | Versión publicada |
| Дата публикации: | 2020 |
| Описание: | In Argentina, during the Nineties, the Peronism changes radically from apopulism to a neo-liberalism led by Carlos Ménem, president from 1989through 1999. Charly García, a polifacetic artist develops new multidisciplinarystrategies through parody, the main postmodern methodology ofaesthetic transgression (Hutcheon, 2000). We will give some theoretical approaches related with the Latin American economic phenomenon, aimingin three García’s albums, that exemplify his artistic and ideological evolution:La hija de la lágrima (1994), Say No More (1996) and Demasiado ego(1999); exploring the iterations of parody: binding, blending and banging(Chambers, 2012). |
| Страна: | Portal de Revistas UNA |
| Институт: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Язык: | Español |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/13540 |
| Online-ссылка: | https://www.revistas.una.ac.cr/index.php/repertorio/article/view/13540 |
| Ключевое слово: | Latinoamérica Argentina neoliberalism Carlos Ménem Charly García rock music parody multidisciplinary strategies aesthetic transgression neoliberalismo música rock parodia estrategias multidisciplinarias transgresión estética |