Historical deconstruction in Return to Ithaca (2016), by Leonardo Padura and Laurent Cantet

 

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書誌詳細
著者: Mengzhen, Jia
フォーマット: artículo original
状態:Versión publicada
出版日付:2020
その他の書誌記述:In the last century, the most prominent event in Cuban history was the 1959 Revolution, an influential social movement, especially among the generation that participated in the Revolution and began to experience the postrevolution. In the fifties of the last century, Cubans suffered a spiritual and physical trauma difficult to overcome. The characters of Return to Ithaca (2016) represent that period, reflect of a microworld of the general situation of the time. The return of one of them from Spain causes the meeting between the five friends on a rooftop in La Habana. The discussion between them only manages to revive hope at the same time as the disappointment of their past, present and future. As the work is presented under the structure of a script, it respects the three rules of the theater, which favors a view from the theatrical interpretation. For this work we will rely on the sociological and psychological analysis, in order to better understand Padura and Cantet´s recreation of the general situation of that period. Our analysis aims to show that the intertextuality between literature and history allows us to understand an epoch, and the human experiences that take place in it, in a more vivid way. Padura and Cantet not only present a script of a reunion between five old friends, but also state that they all face a reconsideration of the illusions lost by and in the Revolution, in a painful but, at the same time, humorous, caustic and even joyful way.
国:Portal de Revistas UNA
機関:Universidad Nacional de Costa Rica
Repositorio:Portal de Revistas UNA
言語:Español
OAI Identifier:oai:ojs.www.una.ac.cr:article/13469
オンライン・アクセス:https://www.revistas.una.ac.cr/index.php/istmica/article/view/13469
キーワード:socio-analysis, psychoanalysis, deconstruction, inter-textualization, theatrical script
socioanálisis, psicoanálisis, deconstrucción, intertextualidad, guion teatral