About masquerades and costumes in “Los celosos” by Silvina Ocampo
Gorde:
| Egilea: | |
|---|---|
| Formatua: | artículo original |
| Egoera: | Versión publicada |
| Argitaratze data: | 2024 |
| Deskribapena: | In this article, I will analyze the short story “Los celosos” (1988) by the Argentine writer Silvina Ocampo. In this story, the protagonist is a woman named Irma Peinate who uses a great deal of wigs, false eyelashes, high heels, and makeup to satisfy her husband. One day, her husband sees her without any accessories and does not recognize her. I propose that the sacrifice the woman undergoes is a kind of “masquerade” of femininity. This masquerade is to be accepted by her husband, but also by a society that aspires to the prototype of European beauty. The theories put forward by Simone de Beauvoir in The Second Sex (1953), Luce Irigaray in The Sex Which is Not One (1985), and “Masquerade Reconsidered: Further Thoughts on the Female Spectator” (1989) by Mary Anne Doane have been central to examining the concept of “feminine masquerade.” |
| Herria: | Portal de Revistas UNA |
| Erakundea: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Hizkuntza: | Español Inglés |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/20776 |
| Sarrera elektronikoa: | https://www.revistas.una.ac.cr/index.php/repertorio/article/view/20776 |
| Gako-hitza: | Argentina Silvina Ocampo short stories mask gender femininity identity theater performance cuentos máscara género feminidad identidad teatro patriarcado |