Princesas rojas: la memoria histórica revisitada en el discurso cinematográfico
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| Autores: | , |
|---|---|
| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2018 |
| Cur Síos: | This article concretes a political analysis of cinema to address some speeches present in the Costa Rican film Princesas rojas (2013), by the director Laura Astorga, that allow to shape an alternative view of the Costa Rican historical memory regarding the participation of nationals in the Nicaraguan civil war. With this regard, a first alternative or resistance discourse is identified and then a second dominant or hegemonic one, from this, we conclude that they form the dispute of two different political-cultural visions that separate the familiar orientations framed in a broader ideological context. |
| País: | Portal de Revistas UNA |
| Institiúid: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Teanga: | Español |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/10581 |
| Rochtain Ar Líne: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/10581 |
| Palabra clave: | análisis político de cine cine costarricense discurso cinematográfico memoria histórica Princesas rojas. Political analysis of cinema Costa Rican cinema Cinematographic discourse historical memory Red Princesses. |