The Costa Rican intelligentsia, its mission and its unfolding. The case of the novel Elvira (1940) and the eponymous film (1955)
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| Autor: | |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2022 |
| Descripción: | The novel Elvira (1940), by Moisés Vincenzi, and its film adaptation (1955), produced by Carlos Alfaro McAdam, offer through Alberto Manara Bassi, the protagonist of both stories, a representation of the Costa Rican intellectual of the mid-twentieth century. These representations, one before and one after the founding of the Second Republic in 1949, include positions regarding the homeland, ethnicity, social classes and gender that can be linked to the historical moment of their production. On the other hand, the specular game by which the ideas and writings of the fictional subject Manara Bassi (who takes the name of Mariano González) and the author Vincenzi, known mainly for his philosophical work, coincide, turn the novel and the film into a way to examine the aspirations, concerns and contradictions of a sector of the national intelligentsia of the period. |
| País: | Portal de Revistas UNA |
| Institución: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Lenguaje: | Español Inglés |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/17848 |
| Acceso en línea: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/17848 |
| Access Level: | acceso abierto |
| Palabra clave: | Intelectual Moisés Vincenzi Costa Rica Identity Class Gender Adaptation Identidad Clase Género Adaptación. |