The Costa Rican intelligentsia, its mission and its unfolding. The case of the novel Elvira (1940) and the eponymous film (1955)
সংরক্ষণ করুন:
| লেখক: | |
|---|---|
| বিন্যাস: | artículo original |
| বর্তমান অবস্থা: | Versión publicada |
| প্রকাশনার তারিখ: | 2022 |
| বিবরন: | The novel Elvira (1940), by Moisés Vincenzi, and its film adaptation (1955), produced by Carlos Alfaro McAdam, offer through Alberto Manara Bassi, the protagonist of both stories, a representation of the Costa Rican intellectual of the mid-twentieth century. These representations, one before and one after the founding of the Second Republic in 1949, include positions regarding the homeland, ethnicity, social classes and gender that can be linked to the historical moment of their production. On the other hand, the specular game by which the ideas and writings of the fictional subject Manara Bassi (who takes the name of Mariano González) and the author Vincenzi, known mainly for his philosophical work, coincide, turn the novel and the film into a way to examine the aspirations, concerns and contradictions of a sector of the national intelligentsia of the period. |
| দেশ: | Portal de Revistas UNA |
| প্রতিষ্ঠান: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| ভাষা: | Español Inglés |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/17848 |
| অনলাইন ব্যবহার করুন: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/17848 |
| Access Level: | acceso abierto |
| মুখ্য শব্দ: | Intelectual Moisés Vincenzi Costa Rica Identity Class Gender Adaptation Identidad Clase Género Adaptación. |