A Glimpse into the Drag Queen Art in Costa Rica from Transculturation and American Baroque
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| 作者: | |
|---|---|
| 格式: | artículo original |
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2024 |
| 實物特徵: | This paper is part of the work in process’ doctoral thesis on drag queen art in Costa Rica, as a dissident and resistance artistic representation. It is a case study analysis based on transculturation, as a historical sociocultural interpretation method and the American Baroque, also a method for interpretation and an artistic style consolidated during Latin America national identity formation processes in the Spanish colony from 16th to 18th centuries, that for some authors continued in its neo-baroque version from 19th to 20th centuries, influencing the 21st century Costa Rica´s drag queen artistic representations postmodern aesthetic. |
| País: | Portal de Revistas UNED |
| 機構: | Universidad Estatal a Distancia |
| Repositorio: | Portal de Revistas UNED |
| 語言: | Español |
| OAI Identifier: | oai:revistas.investiga.uned.ac.cr:article/5182 |
| 在線閱讀: | https://revistas.uned.ac.cr/index.php/rupturas/article/view/5182 |
| Palabra clave: | Drag art American Baroque Neo American Baroque transculturation Arte drag barroco americano neobarroco americano transculturación |