A Glimpse into the Drag Queen Art in Costa Rica from Transculturation and American Baroque
Сохранить в:
| Автор: | |
|---|---|
| Формат: | artículo original |
| Статус: | Versión publicada |
| Дата публикации: | 2024 |
| Описание: | This paper is part of the work in process’ doctoral thesis on drag queen art in Costa Rica, as a dissident and resistance artistic representation. It is a case study analysis based on transculturation, as a historical sociocultural interpretation method and the American Baroque, also a method for interpretation and an artistic style consolidated during Latin America national identity formation processes in the Spanish colony from 16th to 18th centuries, that for some authors continued in its neo-baroque version from 19th to 20th centuries, influencing the 21st century Costa Rica´s drag queen artistic representations postmodern aesthetic. |
| Страна: | Portal de Revistas UNED |
| Институт: | Universidad Estatal a Distancia |
| Repositorio: | Portal de Revistas UNED |
| Язык: | Español |
| OAI Identifier: | oai:revistas.investiga.uned.ac.cr:article/5182 |
| Online-ссылка: | https://revistas.uned.ac.cr/index.php/rupturas/article/view/5182 |
| Ключевое слово: | Drag art American Baroque Neo American Baroque transculturation Arte drag barroco americano neobarroco americano transculturación |