Manuel de la Cruz González, his Notion of “Cosmic Art”: Geometry, Color, Proportion and the Philosophical Concept of Creation
保存先:
| 著者: | , |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2014 |
| その他の書誌記述: | This paper analyzes the conceptualization of cosmic art conceived by the Costa Rican artist Manuel de la Cruz González Luján, by the study and analysis of the archives of González-Kreysa family, and especially on the text of the lecture “The art as cosmic integration”, delivered in Maracaibo, Venezuela, in 1957. In such a text, he expresses a series of affirmations about art and the fruit of its contact with other fields of knowledge, as science, and in general with nature, as it has been observed by artists and scientists through the history of western civilization. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:archivo.portal.ucr.ac.cr:article/17541 |
| オンライン･アクセス: | https://archivo.revistas.ucr.ac.cr/index.php/escena/article/view/17541 |
| キーワード: | Costa Rican Art History Manuel de la Cruz González Geometrical abstraction Pythagoras Golden section Historia del Arte Costarricense Abstracción geométrica Pitágoras Proporción áurea |