Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)

 

Guardado en:
Sonraí Bibleagrafaíochta
Údar: Singer González, Deborah
Formáid: artículo
Fecha de Publicación:2019
Cur Síos:This article problematizes the notion of ethnicity underlying villancicos de negros of the Archdiocesan Historical Archive of Guatemala (AHAG). Although these are musical pieces that project the idea of social harmony in a festive context, the truth is that identities emerge in conflict with colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes.
País:Repositorio UNA
Institiúid:Universidad Nacional de Costa Rica
Repositorio:Repositorio UNA
Teanga:Inglés
OAI Identifier:oai:null:11056/17651
Rochtain Ar Líne:http://hdl.handle.net/11056/17651
http://dx.doi.org/10.15359/rh.80.1
Palabra clave:COLONIAL MUSIC
ETHNICITY
CATHEDRAL OF SANTIAGO DE GUATEMALA
VILLANCICOS DE NEGROS
ETNICIDAD
AFRODESCENDIENTES
IDENTIDAD CULTURAL
DISCURSO
HISTORIA
GUATEMALA
MÚSICA COLONIAL
SUBALTERNIDAD
SUBALTERNITY