Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)

 

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Bibliographic Details
Author: Singer, Deborah
Format: artículo original
Status:Versión publicada
Publication Date:2019
Description:This paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes.
Country:Portal de Revistas UNA
Institution:Universidad Nacional de Costa Rica
Repositorio:Portal de Revistas UNA
Language:Español
OAI Identifier:oai:www.revistas.una.ac.cr:article/12972
Online Access:https://www.revistas.una.ac.cr/index.php/historia/article/view/12972
Keyword:Colonial Music
Ethnicity
Subalternity
Afro descendants
Ethnic Identity
Speeches
History
Guatemala
música colonial
etnicidad
subalternidad
afrodescendientes
identidad cultural
discurso
historia