THE PANOPTIC CULTURE AND THE NEOTELEVISION GENDERS
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| 作者: | |
|---|---|
| 格式: | artículo original |
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2013 |
| 實物特徵: | This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From this moment, we can point out that the surveillance underlying this visual articulation ends up extrapolating to the spectacular structure. |
| País: | Portal de Revistas UCR |
| 機構: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 語言: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/9876 |
| 在線閱讀: | https://revistas.ucr.ac.cr/index.php/sociales/article/view/9876 |
| Palabra clave: | TEORÍA DE LA COMUNICACIÓN TELEVISIÓN CONTROL SOCIAL TECNOLOGÍA VIDEO THEORY OF THE COMMUNICATION SOCIAL CONTROL TELEVISION TECHNOLOGY VIDEO CASSETTES |