Rafael Estrada and the formation of Costa Rican aesthetic-literary criticism
Guardado en:
| 作者: | |
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| 格式: | artículo original |
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2021 |
| 實物特徵: | Taking into consideration Pierre Bourdieu's theory about cultural fields, we first analyze two studies by the Ramonense poet Rafael Estrada on literature and aesthetics: "On the Margins of the Fantasies of Andrés Avelino" (1923) and On aesthetic studies (1926). It is argued that in them Estrada raises his conceptions of avant-garde art against the romantic and modernist traditions. Such ideas about the "new literature" make Estrada a contemporary of his time. Second, the prologue of the author's last book is studied: Songs and Essays (1929). Regarding this, it is argued that Estrada, as a source of legitimation, seeks to relate his work to tradition. |
| País: | Portal de Revistas UCR |
| 機構: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 語言: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/47020 |
| 在線閱讀: | https://revistas.ucr.ac.cr/index.php/pensamiento-actual/article/view/47020 |
| Palabra clave: | Cultural field aesthetics literary history Ramonense literature Rafael Estrada Campo cultural estética historia literaria literatura ramonense |